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November 29, 2009
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i loved image comics, warts and all.

i was in high school at that momentous time when basically all of my favorite artists of the day decided to pack up their sizable talents from the cozy confines of marvel, strike out on their own and create something fresh. i was just starting to take drawing seriously at the time and the pioneering spirit of mcfarlane, lee, liefeld, portacio, et al just electrified the passion for drawing which i still hold. say what you will about the early days of image (etched foil hologram covers) and their eventual contribution to the implosion of the industry, but it was still pretty cool to see all of those guys playing in their own, self-constructed sandbox.

it's no surprise, then, that i unabashedly awaited the arrival of image united in my local comic shop. the old gang was back together and playing together in that sandbox again! they were all drawing their own characters! in the same book! on the same page!

cozy and excited in my office chair, i began to read through the first issue a few days ago. and i was conflicted. alternately dazzled by some of the jam pages (an image hallmark) and deflated by any kind of interesting story (an image hallmark...c'mon kirkman!), i realized that this book is pretty much everything that it was advertised to be: a complete throwback to the early days of image. warts and all.

i don't know that the gimmick of everyone working on their character every time they appear is necessarily working. larsen's savage dragon in particluar looks rushed, but then again, i'm no fan of his work. mcfarlane's spawn characters don't look as tight as they did back in the day, despite how awesome the art jam that graces his haunt book's pages looks. liefeld is liefeld. he is what he is. and i still kind of dig that...maybe on a purely nostalgic level. silvestri looks like he can still deliver the goods. and portacio hasn't been given much to do yet, but his "fortess" character looks pretty cool...in an early 90's sort of way. i always felt valentino always image's weak link artistically, but props to him for suiting up again.

at any rate, when i finished the first issue, i wasn't so much disappointed as much as reminded of what those early days of image were like. i think i may still pick up the second issue, but if it's more of the same (as i suspect it will be), i'll neatly bag and file those two issues in my collection. it's not like there aren't 100 other image books in there that i can read when i need my fix of early 90's nostalgia.

and some of those even feature jim lee.
  • Listening to: skeletonwitch: beyond the permafrost
  • Reading: image united
  • Watching: masters of the universe: season one
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:iconarthammer:
I feel your disappointment. The old early Image was the best and most exciting time for indie comics and I will cherish my collection. It's just not the same now even with all the new stuff they pump out. I saw the teaser of the United group stuff and was very underwhelmed...:(
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:iconthelearningcurv:
lee is the one guy thats missing from the pot.... I think what DOES work is that McFarlane is inking all of the book, so it has some sort of cohesiveness..... I am enjoying the chaotic madness=]
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:icongraysayell:
*GraySayell Dec 1, 2009  Professional Interface Designer
Strange, the 90’s saw the demise of my interest and faith in the comic industry in general. Except for Cerebus the Aardvark and the occasional Jon J Muth, Kent Williams, Dave McKean, Bill Sienkiewicz, Ted McKeever graphic novel/limited edition series (sniff, bye bye the Epic line from Marvel) I kind of stopped buying monthly comics altogether... the final nail in the coffin was around mid 1991 when Nexus by Baron & Rude stopped due to dwindling sales.

I guess I was disappointed by an Industry that seemed too ego/name driven, gimmick orientated and by the implosion of way too many badly plotted or drawn titles.

Looking back, maybe I was just nostalgic for the 80’s; the Claremont & Sienkiewicz era of the New mutants (:heart: the Demon Bear saga), Miller's Daredevil (:love: Mazzuchelli's art), the Brit invasion et al. Stories seemed tighter, more coherent and better crafted - so did the artwork.

That's just my 2 cents :)
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:iconkuzuskot:
ah the 90's, 10 things i remember fondly...

1) cross hatching to cover up bad anatomy.
2) the writers don't need artist movement
3) John Byrne being kick off writing the Jim Lee X-Men book, but Marvel didn't bother to tell him :lmao:
4) Marvel stopped putting artist names on the covers (fearing that image would snatch them up)
5) the mad crazy "incentive" covers like foil embossed holograms.
6) So many issue #1's of books, then waiting for issue #2 that would never come out (mostly a LieField gimmic)
7) 3 major comic distributors rather then just Diamond... (Thanks Marvel, you screwed everyone with the Heroes World Frasco)
8) Girl Power (everyone creating chix characters to increase book sales)
9) so many small publishers as well as large publishers.
10) everything sold 100,000 copies or more.

ah memories :lol:

i really do miss the 90's, despite what people might say, the artwork was so much more interesting back then... it had style!

i'm glad to hear they are trying to do stuff again actually, doubt i'll pick any of it up, but still good to know :)
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:iconabraxas579:
i was really looking forward to this, and i think the idea of it is cool and neat, BUT omega spawn as the big huge world ending catylyst? I havent kept up with spawn in the past years so i didnt realize al simmons wasnt spawn anymore but i thought the omega spawn idea is kinda lame.
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:iconjeff-aka-stray:
I'm not going to buy anything with Liefeld's art in it, haha, so Image United is a no-go for me. To be honest I don't really care about any of these artists and them teaming up has no appeal to me, and I don't care about any of these characters either. I had some Image comics back in the day, but I grew out of it, and I can't say I feel nostalgic for it. I love Robert Kirkman though, and if this comic was drawn by somebody I liked (like the art team on Invincible) then I'd maybe check it out.
The different styles on the same page is kind of weird to me. I'll stick to Invincible and Walking Dead.
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:iconcaz-divad:
Jim Lee was the strong point, i think Lifield was the weak point. him or portracio, but portracio depends on my mood
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:iconfishdirt:
Same story for me but I liked Larsen's spidey run back then. Actually a combo of Image and Kelley Jones Batman covers got me back into comics.

Art for comic book superheroes was actually exciting back then, even if the stories didn't make sense it was better because we got to see action. Now everything is bogged down in who can draw the most realistic. Superheroes in and of themselves are not real. Wonder why kids aren't buying? Great art now but boring as heck for superheroes.

I'm looking forward to this for the art but, as you kind of say, I'm expecting a lot of rust to show for some of these guys.
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:iconenzudes1gn:
*EnzuDes1gn Nov 29, 2009  Professional Interface Designer
ahh memories, that takes me back to old days when I worked for a local comic shop, they couldn't afford to pay me much $$ so instead I worked for comics :D
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:iconkidchuckle:
*kidchuckle Nov 29, 2009  Professional Digital Artist
I was a huge image fan back in the 90's!
It's funny how tastes of changed. I used to love mcfarlane growing up... now it seems so grotesque. But I guess the dynamic style was there.

Kind of a exciting time during those years.. to see a bunch of rockstar artist take control like that and shakeup the comic industry.
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